Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Gmaj7 | 6 | 18.8% |
| Am7 | 5 | 15.6% |
| D7 | 5 | 15.6% |
| Em7 | 3 | 9.4% |
| A7 | 2 | 6.2% |
| Bm7 | 1 | 3.1% |
| E7b9 | 1 | 3.1% |
| Dm7 | 1 | 3.1% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Am7 -> D7 | Setup (Major Key) | 5 |
| D7 -> Gmaj7 | Resolution (Major) | 3 |
| Em7 -> A7 | Setup (Major Key) | 2 |
| Bm7 -> E7b9 | Setup (Major Key) | 1 |
| E7b9 -> Am7 | Resolution (Minor) | 1 |
| Dm7 -> G7 | Setup (Major Key) | 1 |
| G7 -> Cmaj7 | Resolution (Major) | 1 |
| Cm7 -> F7 | Setup (Major Key) | 1 |
| F7 -> Bbmaj7 | Resolution (Major) | 1 |
| F#m7 -> B7 | Setup (Major Key) | 1 |
| B7 -> Em7 | Resolution (Minor) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The progression utilizes a foundational I-vi-ii-V (Gmaj7-Em7-Am7-D7), establishing a clear diatonic framework typical of Hoagy Carmichael’s melodic style.
- A iii-VI7b9 sequence (Bm7-E7b9) serves as a secondary dominant turnaround, introducing harmonic tension that resolves smoothly to the ii-V.
- The inclusion of a secondary ii-V (Dm7-G7) tonicizes the subdominant (Cmaj7), creating a brief but effective shift in tonal center.
- Modal interchange is used via the Cmaj7 to Cm/maj7 movement, providing a sophisticated “minor-major” color through the chromatic descent of the 6th scale degree.
Improvisation Focus G Major Bebop scale, with specific focus on targeting the Eb natural over the Cm/maj7 chord.
Difficulty Rating 2: The piece follows predictable functional harmony and standard jazz turnarounds, making it an ideal study for intermediate-beginner improvisers.
📚 Standard Available in:
The Real Book - Volume II
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