Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fmaj7 | 5 | 27.8% |
| Gm7 | 3 | 16.7% |
| C7 | 3 | 16.7% |
| Abm7 | 2 | 11.1% |
| Db7 | 2 | 11.1% |
| Am7 | 1 | 5.6% |
| D7 | 1 | 5.6% |
| F6 | 1 | 5.6% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 3 |
| Abm7 -> Db7 | Setup (Major Key) | 2 |
| Am7 -> D7 | Setup (Major Key) | 1 |
| D7 -> Gm7 | Resolution (Minor) | 1 |
| Db7 -> Abm7 | Resolution (Minor) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Initial tonic prolongation on Fmaj7 establishes a stable tonal center before entering active cyclical progressions.
- The iii-VI-ii-V sequence (Am7–D7–Gm7–C7) utilizes secondary dominants to create forward rhythmic and harmonic momentum.
- Chromatic side-slipping via the Abm7–Db7 cell functions as a non-diatonic ii-V shift, providing the signature “donkey trot” tension before resolving to the primary ii-V.
- Final resolution to F6 reinforces a classic Americana swing aesthetic, contrasting the earlier chromaticism.
Improvisation Focus Navigating parallel ii-V cells and chromatic side-slipping.
Difficulty Rating 3/5. While the F major sections are accessible, the sudden half-step shifts in the ii-V chains require precise harmonic navigation and intermediate voice-leading skills.
📚 Standard Available in:
The Real Book - Volume VI
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