Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| F6 | 4 | 22.2% |
| Eb6 | 4 | 22.2% |
| Bbmaj7 | 2 | 11.1% |
| F7sus | 1 | 5.6% |
| F7 | 1 | 5.6% |
| Bbm7 | 1 | 5.6% |
| Eb7 | 1 | 5.6% |
| Abm7 | 1 | 5.6% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| F7 -> Bbmaj7 | Resolution (Major) | 1 |
| Bbm7 -> Eb7 | Setup (Major Key) | 1 |
| Eb7 -> Abm7 | Resolution (Minor) | 1 |
| Abm7 -> Db7 | Setup (Major Key) | 1 |
| Db7 -> Gbmaj7 | Resolution (Major) | 1 |
Harmonic Highlights:
- The opening
F6(V6) andEb6(IV6) vamp establishes a modal, dominant-leaning feel over the implied Bb minor. - Immediate resolution from
F7(V7) toBbmaj7(Imaj7) signifies a swift shift from the implied minor to parallel major tonic. - A prominent II-V-I progression (
Bbm7-Eb7-Abm7-Db7) unexpectedly resolves toGbmaj7, demonstrating advanced key center modulation. - The
C7chord functions as a V7/V, creating a strong dominant motion back toF6and perpetuating the harmonic cycle.
Improvisation Focus: Navigating major/minor tonic shifts and varied II-V-I resolutions.
Difficulty Rating: 3 (Intermediate). The frequent key center modulations and non-diatonic progressions demand a solid understanding of jazz harmony.