Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Bb7 | 5 | 13.9% |
| Abmaj7 | 4 | 11.1% |
| Eb6 | 3 | 8.3% |
| Eb7 | 3 | 8.3% |
| Ebmaj7 | 3 | 8.3% |
| C7 | 3 | 8.3% |
| Fm7 | 3 | 8.3% |
| Bbm7 | 2 | 5.6% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Eb7 -> Abmaj7 | Resolution (Major) | 3 |
| Bbm7 -> Eb7 | Setup (Major Key) | 2 |
| Abmaj7 -> Db7 | Setup (Major Key) | 2 |
| Fm7 -> Bb7 | Setup (Major Key) | 2 |
| Gm7 -> C7b9 | Setup (Major Key) | 1 |
| C7b9 -> Fm7 | Resolution (Minor) | 1 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 1 |
| C7 -> Fm7 | Resolution (Minor) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Utilizes a secondary ii-V progression (Bbm7 - Eb7) to tonicize the IV chord (Abmaj7), establishing a clear subdominant departure.
- Employs the backdoor dominant resolution (Db7 to Ebmaj7), a classic jazz device where the bVII7 substitute replaces the V7 for a softer cadence.
- Features a standard iii-VI-ii-V turnaround (Gm7 - C7b9 - Fm7 - Bb7) using a dominant chord with a b9 tension to create harmonic pull toward the ii chord.
- Incorporates chromatic ascending motion via the A°7 (#IV°) passing chord to bridge the IVmaj7 and the tonic, providing smooth voice leading.
Improvisation Focus Guide-tone targeting (3rds and 7ths) to navigate the frequent ii-V-I cell transitions.
Difficulty Rating 2/5: The changes follow predictable Great American Songbook conventions with a moderate harmonic rhythm, making it accessible for intermediate players.
📚 Standard Available in:
The Real Book - Volume III
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