Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| D13#11 | 6 | 18.2% |
| Gm6 | 4 | 12.1% |
| Bm7 | 3 | 9.1% |
| D7 | 3 | 9.1% |
| Db7 | 2 | 6.1% |
| Gb7 | 2 | 6.1% |
| Bb7 | 2 | 6.1% |
| Ebmaj7 | 2 | 6.1% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Bb7 -> Ebmaj7 | Resolution (Major) | 2 |
| D7 -> Gm6 | Resolution (Minor) | 2 |
| Bbm7 -> Eb7#11 | Setup (Major Key) | 1 |
| Bm7 -> E7b9 | Setup (Major Key) | 1 |
| Em7 -> A7sus | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The initial Gm6 functions as a minor subdominant (iv) in D major, immediately establishing the “off-key” modal ambiguity characteristic of Monk.
- The progression utilizes chromatic “side-slipping,” where chords like Dbmaj7 resolve upward by a half-step to D7, bypassing traditional circular motion.
- Frequent tritone substitutions (such as Db7 instead of G7) and dominant #11 extensions create a dense, Lydian-Dominant harmonic texture.
- Rapid II-V sequences in the bridge (Bbm7-Eb7 to Bm7-E7) force the improviser to navigate distantly related keys in quick succession.
Improvisation Focus The Whole-Tone Scale is the most critical tool for navigating Monk’s idiosyncratic dominant tensions and angular melodic leaps.
Difficulty Rating 4/5: The erratic root movements and frequent non-functional modulations require high-level vertical awareness and precise rhythmic placement.
📚 Standard Available in:
The Real Book - Volume II
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