Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| F7 | 5 | 31.2% |
| Bb7 | 2 | 12.5% |
| D7 | 2 | 12.5% |
| Gm7 | 2 | 12.5% |
| C7 | 2 | 12.5% |
| Cm7 | 1 | 6.2% |
| B07 | 1 | 6.2% |
| Am7 | 1 | 6.2% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| D7 -> Gm7 | Resolution (Minor) | 2 |
| Gm7 -> C7 | Setup (Major Key) | 2 |
| F7 -> Cm7 | Resolution (Minor) | 1 |
| Cm7 -> F7 | Setup (Major Key) | 1 |
| Am7 -> D7 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Utilizes a #IV diminished chord (B°7) in measure 6 to create chromatic tension and smooth voice leading back to the tonic.
- Features a secondary ii-V (Cm7–F7) in measure 4 to tonicize the arrival of the IV chord (Bb7).
- Employs a functional turnaround in measures 8–10 (Am7–D7–Gm7–C7), replacing static harmony with a series of descending fifths.
Improvisation Focus F Major Blues scale integrated with 3rds and 7ths guide-tone targeting.
Difficulty Rating 2/5: The 12-bar structure is foundational, though the Parker-style substitutions require basic knowledge of secondary dominants and diminished passing tones.
📚 Standard Available in:
The Real Book - Volume II
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