Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Dm7 | 7 | 12.7% |
| G7 | 5 | 9.1% |
| Cmaj7 | 4 | 7.3% |
| A7 | 3 | 5.5% |
| F7 | 2 | 3.6% |
| Em7 | 2 | 3.6% |
| C#m7 | 2 | 3.6% |
| F#7 | 2 | 3.6% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Dm7 -> G7 | Setup (Major Key) | 4 |
| Cmaj7 -> F7 | Setup (Major Key) | 2 |
| Em7 -> A7 | Setup (Major Key) | 2 |
| A7 -> Dm7 | Resolution (Minor) | 2 |
| G7 -> Dm7 | Resolution (Minor) | 2 |
| C#m7 -> F#7 | Setup (Major Key) | 2 |
| F#7 -> Bmaj7 | Resolution (Major) | 1 |
| B7 -> Emaj7 | Resolution (Major) | 1 |
| Am7 -> D7 | Setup (Major Key) | 1 |
| G7 -> Cmaj7 | Resolution (Major) | 1 |
| E7 -> Am7 | Resolution (Minor) | 1 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
| Fm7 -> Bb7 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Features a rapid chromatic modulation from C major to B major via a distal ii-V (C#m7 - F#7).
- Employs sequential ii-V cycles that traverse distant keys like E major and B major before cycling back to the tonic.
- Utilizes tritone substitutions and dominant chains (F7 to Em7, A7 to Dm7) to create dense, non-diatonic movement.
- Incorporates sophisticated voice leading through diminished passing chords and chromatic bass inversions to smooth transitions between unrelated tonalities.
Improvisation Focus Chord tone targeting and guide-tone connectivity to navigate frequent, rapid modulations.
Difficulty Rating 4 (Advanced): The relentless shifting of key centers and high harmonic density require advanced melodic precision and quick mental transposition.
📚 Standard Available in:
The Real Book - Volume III
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