Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Cm7 | 9 | 25.7% |
| Bbmaj7 | 4 | 11.4% |
| F7 | 4 | 11.4% |
| G7 | 3 | 8.6% |
| G9#5 | 3 | 8.6% |
| Ab7 | 2 | 5.7% |
| Bb7 | 2 | 5.7% |
| Gb07 | 1 | 2.9% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Cm7 -> F7 | Setup (Major Key) | 4 |
| G7 -> Cm7 | Resolution (Minor) | 3 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
| F7 -> Bbmaj7 | Resolution (Major) | 1 |
| Fm7 -> Bb7 | Setup (Major Key) | 1 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 1 |
Harmonic Highlights
- The
Bbmaj7 (bVIImaj7)andAb7 (bVI7)chords provide a distinct minor mode color, leading into theG7 (V7). - A strong chromatic dominant approach is evident with
Ab7resolving directly toG7. - Temporary ii-V progressions like
Cm7-F7andGm7-C7create movement and transient tonicizations. - The
Gb07diminished chord functions as a chromatic passing harmony, adding tension and leading voice movement.
Improvisation Focus C Harmonic Minor Scale.
Difficulty Rating 3 (Intermediate). The mix of standard minor ii-V-i, chromatic dominants, and passing ii-V changes requires thoughtful navigation.