Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Cm7 | 9 | 25.7% |
| Bbmaj7 | 4 | 11.4% |
| F7 | 4 | 11.4% |
| G7 | 3 | 8.6% |
| G9#5 | 3 | 8.6% |
| Ab7 | 2 | 5.7% |
| Bb7 | 2 | 5.7% |
| Gb07 | 1 | 2.9% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Cm7 -> F7 | Setup (Major Key) | 4 |
| G7 -> Cm7 | Resolution (Minor) | 3 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
| F7 -> Bbmaj7 | Resolution (Major) | 1 |
| Fm7 -> Bb7 | Setup (Major Key) | 1 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The progression emphasizes the transition from Bbmaj7 to the relative minor (Cm7) via G7, highlighting a persistent vi-V-i relationship within the C minor context.
- Chromaticism is utilized through the Ab7 to G7 movement, acting as a subV/V or bVII7 leading into the dominant of the C minor key center.
- The sequence F7 - Gb°7 - Gm7 employs a passing diminished chord to bridge the IV7 and iii chords, creating smooth ascending voice leading.
- Repetitive G9#5 to Cm7 cadences reinforce the minor tonality using altered dominant tensions typical of the bebop idiom.
Improvisation Focus
- Navigating secondary dominants using the C Harmonic Minor scale and Mixolydian b9 b13 modes.
Difficulty Rating
- 2/5: The piece consists primarily of standard ii-V-I movements and predictable secondary dominants, making it accessible for developing improvisers.
📚 Standard Available in:
The Real Book - Volume III
🛒 Buy on AmazonAs an Amazon Associate I earn from qualifying purchases. Check the Hal Leonard Jazz Song Finder to make sure that the standard is indeed in the book before buying it.