Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| C9#5 | 4 | 13.8% |
| Fm7 | 4 | 13.8% |
| Eb6 | 3 | 10.3% |
| F7 | 3 | 10.3% |
| Bb7 | 3 | 10.3% |
| Db7 | 2 | 6.9% |
| B7 | 2 | 6.9% |
| Dm7b5 | 1 | 3.4% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Fm7 -> Bb7 | Setup (Major Key) | 1 |
| Dm7b5 -> G7b9 | Setup (Minor Key) | 1 |
| G7b9 -> Cm7 | Resolution (Minor) | 1 |
| Cm7 -> F7 | Setup (Major Key) | 1 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Integration of minor ii-V-i cells (Dm7b5-G7b9-Cm7) within a broader Eb major/C minor relative framework.
- Use of secondary dominants like C9#5 (V/ii) and F7 (V/V) to provide strong directional pull and chromatic variety.
- Employment of tritone substitutions (Db7 and B7) to create smooth, half-step bass movement toward primary tonal targets.
Improvisation Focus Guide-tone targeting using the Altered Scale over the secondary dominant chords to emphasize chromatic tensions.
Difficulty Rating 3/5: It requires a solid grasp of secondary dominants and the ability to pivot between major and minor functional harmony.
📚 Standard Available in:
The Real Book - Volume III
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