Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| C7 | 6 | 16.7% |
| Gm7 | 5 | 13.9% |
| Fmaj7 | 4 | 11.1% |
| Dm7 | 3 | 8.3% |
| F7 | 2 | 5.6% |
| Bb6 | 2 | 5.6% |
| Eb7 | 2 | 5.6% |
| Am7 | 2 | 5.6% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 5 |
| C7 -> Fmaj7 | Resolution (Major) | 3 |
| Am7 -> D7b13 | Setup (Major Key) | 2 |
| D7b13 -> Gm7 | Resolution (Minor) | 2 |
| C7 -> Fm7 | Resolution (Minor) | 1 |
| Fm7 -> Bb7 | Setup (Major Key) | 1 |
| G7b9 -> Cmaj7 | Resolution (Major) | 1 |
| Dm7b5 -> G7 | Setup (Minor Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Utilization of standard I-vi-ii-V turnarounds in F Major to establish a strong, functional tonal foundation.
- Inclusion of the “backdoor” bVII7 (Eb7) following the IV chord (Bb6), providing a smooth chromatic transition back to the iii-VI-ii-V cycle.
- A brief modulation to the dominant (C Major) via a ii-V-I sequence (Dm7b5-G7-Cmaj7), offering harmonic contrast before returning to the home key.
- Application of tritone substitution (Db7 to C7) acting as a subV/V to heighten tension before the final resolution.
Improvisation Focus
Targeting Guide Tones (3rds and 7ths) to clearly outline the frequent ii-V-I cycles and secondary dominant movements.
Difficulty Rating
2/5. The progression relies on predictable functional harmony and clear resolutions, making it an ideal study for intermediate players learning to navigate secondary dominants and brief modulations.
📚 Standard Available in:
The Real Book - Volume III
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