Chord Distribution Analysis

Chord SymbolCountFrequency
C7621.4%
Gm7517.9%
Fmaj7414.3%
F07310.7%
Dm7310.7%
G7310.7%
Ab0713.6%
Gm613.6%

Key Patterns Detected

PatternFunctionFrequency
Gm7 -> C7Setup (Major Key)5
Dm7 -> G7Setup (Major Key)3
C7 -> Gm6Resolution (Minor)1
Gm6 -> C7Setup (Major Key)1
Am7 -> D7Setup (Major Key)1
C7 -> Gm7Resolution (Minor)1

Harmonic Highlights

  • The progression centers on a chromatic oscillation between Fmaj7 and Fยฐ7, creating a shimmering neighbor-tone effect (A-Ab-A) over a static tonic pedal.
  • Use of Fยฐ7 functions as a common-tone diminished chord or a substitute for D7(b9), creating a smooth voice-leading bridge to the ii-V (Gm7-C7) sequence.
  • Secondary dominants (G7 as V/V) frequently precede the ii-V, extending the cycle of fifths and reinforcing the F major tonality through traditional diatonic resolutions.
  • The Gm6 chord adds a sophisticated subdominant minor color, utilizing the E natural (the Dorian 6th) to pull toward the dominant C7.

Improvisation Focus

F Major Bebop scale and F Diminished (Half-Whole) to navigate the tonic-to-diminished shifts.

Difficulty Rating

2/5. The structure is largely diatonic and repetitive, though the frequent diminished substitutions require precise melodic targeting of chromatic alterations.


๐Ÿ“š Standard Available in:

The Real Book - Volume I
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