Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| C7 | 6 | 21.4% |
| Gm7 | 5 | 17.9% |
| Fmaj7 | 4 | 14.3% |
| F07 | 3 | 10.7% |
| Dm7 | 3 | 10.7% |
| G7 | 3 | 10.7% |
| Ab07 | 1 | 3.6% |
| Gm6 | 1 | 3.6% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 5 |
| Dm7 -> G7 | Setup (Major Key) | 3 |
| C7 -> Gm6 | Resolution (Minor) | 1 |
| Gm6 -> C7 | Setup (Major Key) | 1 |
| Am7 -> D7 | Setup (Major Key) | 1 |
| C7 -> Gm7 | Resolution (Minor) | 1 |
๐ผ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The progression centers on a chromatic oscillation between Fmaj7 and Fยฐ7, creating a shimmering neighbor-tone effect (A-Ab-A) over a static tonic pedal.
- Use of Fยฐ7 functions as a common-tone diminished chord or a substitute for D7(b9), creating a smooth voice-leading bridge to the ii-V (Gm7-C7) sequence.
- Secondary dominants (G7 as V/V) frequently precede the ii-V, extending the cycle of fifths and reinforcing the F major tonality through traditional diatonic resolutions.
- The Gm6 chord adds a sophisticated subdominant minor color, utilizing the E natural (the Dorian 6th) to pull toward the dominant C7.
Improvisation Focus
F Major Bebop scale and F Diminished (Half-Whole) to navigate the tonic-to-diminished shifts.
Difficulty Rating
2/5. The structure is largely diatonic and repetitive, though the frequent diminished substitutions require precise melodic targeting of chromatic alterations.
๐ Standard Available in:
The Real Book - Volume I
๐ Buy on AmazonAs an Amazon Associate I earn from qualifying purchases. Check the Hal Leonard Jazz Song Finder to make sure that the standard is indeed in the book before buying it.