Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fmaj7#11 | 2 | 25.0% |
| Cmaj7/E | 2 | 25.0% |
| Cmaj7 | 1 | 12.5% |
| Am7 | 1 | 12.5% |
| Bm7b5 | 1 | 12.5% |
| E7b9 | 1 | 12.5% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Bm7b5 -> E7b9 | Setup (Minor Key) | 1 |
πΌ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The inclusion of Fmaj7#11 introduces Lydian tonality on the IV chord, creating a sophisticated melodic tension characteristic of the Mancini sound.
- Functional movement to the relative minor is established via a secondary ii-V progression (Bm7b5 - E7b9) targeting Am7, providing tonal variety.
- Stepwise bass lines facilitated by inversions like Cmaj7/E ensure smooth voice leading between the tonic and subdominant areas.
- The use of a subdominant minor (Fm6 or Dm7b5) often appears in professional arrangements to heighten the “wistful” emotional resolution.
Improvisation Focus Chord Tone Targeting: Emphasize the 3rd and 7th of each chord, specifically highlighting the #11 (B natural) over the Fmaj7 to mirror the iconic melody.
Difficulty Rating 2/5: The slow tempo and mostly diatonic structure are accessible for beginners, though the minor ii-V requires awareness of altered scales.
π Standard Available in:
The Real Book - Volume II
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