Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| A7 | 2 | 6.9% |
| F#7sus | 2 | 6.9% |
| Dm7 | 2 | 6.9% |
| G7#11 | 2 | 6.9% |
| Am7 | 2 | 6.9% |
| Bm7 | 2 | 6.9% |
| Em7 | 1 | 3.4% |
| Ebm7 | 1 | 3.4% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Dm7 -> G7#11 | Setup (Major Key) | 1 |
| G7#11 -> Cmaj7 | Resolution (Major) | 1 |
| E7#9 -> Amaj7 | Resolution (Major) | 1 |
| F#m7b5 -> B7b9 | Setup (Minor Key) | 1 |
| B7b9 -> Em7b5 | Resolution (Minor) | 1 |
| Em7b5 -> A7b9 | Setup (Minor Key) | 1 |
| A7b9 -> Dm7 | Resolution (Minor) | 1 |
| Bm7 -> E7 | Setup (Major Key) | 1 |
| Bbm7 -> Eb7 | Setup (Major Key) | 1 |
| Bm7 -> E7b9 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Non-functional dominant cycles (A7 to F#7sus) establish an impressionistic, suspended atmosphere rather than traditional V-I resolutions.
- Chromatic planing (Em7 - Ebm7 - Dm7) creates a smooth bridge toward the G7#11, utilizing parallel motion common in post-bop composition.
- Modal interchange and sudden tonicization of Amaj7 via E7#9 demonstrate Shorter’s signature use of non-diatonic mediant relationships.
- Frequent use of #11 extensions on dominant chords (G7#11) facilitates Lydian Dominant textures, softening cadential points.
Improvisation Focus Modal targeting and voice leading across shifting tonal centers.
Difficulty Rating 4/5 – While the ballad tempo is manageable, the non-functional harmony and rapid chromatic shifts require advanced harmonic knowledge and precise ear training.
📚 Standard Available in:
The Real Book - Volume I
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