Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Dm7 | 10 | 18.5% |
| G7 | 8 | 14.8% |
| Em7 | 6 | 11.1% |
| Am7 | 4 | 7.4% |
| Fmaj7 | 4 | 7.4% |
| C7 | 3 | 5.6% |
| A7b9 | 3 | 5.6% |
| Cmaj7 | 2 | 3.7% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Dm7 -> G7 | Setup (Major Key) | 8 |
| Em7 -> A7b9 | Setup (Major Key) | 3 |
| A7b9 -> Dm7 | Resolution (Minor) | 3 |
| G7 -> Cmaj7 | Resolution (Major) | 2 |
| Dm7 -> G7b9 | Setup (Major Key) | 2 |
| C7 -> Gm7 | Resolution (Minor) | 1 |
| Gm7 -> C7#5 | Setup (Major Key) | 1 |
| C7#5 -> Fmaj7 | Resolution (Major) | 1 |
| B7b9 -> Em7 | Resolution (Minor) | 1 |
| A7#5 -> Em7 | Resolution (Minor) | 1 |
| Em7 -> A7#5 | Setup (Major Key) | 1 |
| A7#5 -> Dm7 | Resolution (Minor) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Employs foundational ii-V-I sequences in C major, establishing a clear diatonic framework before introducing chromatic substitutions.
- Features a distinctive C7 to F#7 transition, utilizing a tritone-related dominant bridge to lead into the IV chord (Fmaj7).
- Incorporates subdominant minor functional harmony via the Fm6 chord, providing a classic “minor iv” resolution to the mediant Em7.
- Utilizes secondary dominants with altered tensions (A7b9) to create a stronger pull through the extended turnaround sequences.
Improvisation Focus Guide tone navigation (targeting 3rds and 7ths) to maintain melodic continuity through the rapid harmonic rhythm.
Difficulty Rating 3/5; while the key center remains stable, the player must navigate sophisticated chromatic voice leading and minor-key substitutions effectively.
📚 Standard Available in:
The Real Book - Volume I
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