Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Ebmaj7 | 2 | 20.0% |
| Gm7 | 2 | 20.0% |
| C7 | 2 | 20.0% |
| Fm7 | 1 | 10.0% |
| Bb7 | 1 | 10.0% |
| Abm7 | 1 | 10.0% |
| Db7 | 1 | 10.0% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 2 |
| C7 -> Fm7 | Resolution (Minor) | 1 |
| Fm7 -> Bb7 | Setup (Major Key) | 1 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 1 |
| Abm7 -> Db7 | Setup (Major Key) | 1 |
- The opening I-iii-VI7 progression (Ebmaj7-Gm7-C7) establishes a diatonic framework, with C7 serving as a secondary dominant (V/Fm7).
- A classic ii-V-I progression (Fm7-Bb7-Ebmaj7) provides a clear functional resolution to the tonic.
- The Abm7-Db7 sequence introduces a ii-V in Gb major (the bIII major key), implying a temporary modulation or functioning as a backdoor ii-V to Ebmaj7.
Improvisation Focus: Navigating ii-V changes, both diatonic and non-diatonic.
Difficulty Rating: 3 (Intermediate). Its blend of familiar progressions with a prominent non-diatonic ii-V requires musicians to adapt their harmonic understanding and scale choices.