Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| C7 | 7 | 15.6% |
| F7 | 7 | 15.6% |
| Bb7 | 7 | 15.6% |
| Abmaj7 | 4 | 8.9% |
| A07 | 4 | 8.9% |
| Eb7 | 3 | 6.7% |
| Ebmaj7 | 2 | 4.4% |
| Gm7 | 2 | 4.4% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Eb7 -> Abmaj7 | Resolution (Major) | 3 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 2 |
| Gm7 -> C7 | Setup (Major Key) | 2 |
| Am7b5 -> D7b9 | Setup (Minor Key) | 1 |
| D7b9 -> Gm7b5 | Resolution (Minor) | 1 |
| Gm7b5 -> C7 | Setup (Minor Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Features an extended chain of secondary dominants (VI7–II7–V7–I) that creates a circular, ragtime-influenced forward momentum toward the tonic Eb.
- The bridge utilizes a classic IV–#IV°7–I/V movement (Abmaj7–A°7–Eb/Bb), a common gospel-tinged cliché providing chromatic voice leading to the dominant.
- Frequent use of the “Rhythm Changes” style turnaround in the A sections, emphasizing the VI7 (C7) instead of the diatonic VIm7 to heighten the tension.
Improvisation Focus Chord tone soloing with an emphasis on 3rd-to-7th voice leading through the dominant cycle.
Difficulty Rating 2/5 — The harmonic rhythm is predictable and follows standard functional patterns, making it accessible for intermediate players to navigate.
📚 Standard Available in:
The Real Book - Volume V
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