Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Bbm7 | 8 | 20.0% |
| Eb7 | 5 | 12.5% |
| Fm | 4 | 10.0% |
| C7 | 3 | 7.5% |
| Abmaj7 | 3 | 7.5% |
| Dm7b5 | 2 | 5.0% |
| G7 | 2 | 5.0% |
| Cm7 | 2 | 5.0% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Bbm7 -> Eb7 | Setup (Major Key) | 4 |
| Dm7b5 -> G7 | Setup (Minor Key) | 2 |
| C7 -> Fm | Resolution (Minor) | 2 |
| Cm7b5 -> F7b9 | Setup (Minor Key) | 2 |
| F7b9 -> Bbm7 | Resolution (Minor) | 2 |
| Bbm7 -> Eb7b9 | Setup (Major Key) | 2 |
| Eb7b9 -> Abmaj7 | Resolution (Major) | 2 |
| C7b9 -> Fm | Resolution (Minor) | 1 |
| Eb7 -> Abmaj7 | Resolution (Major) | 1 |
| Abmaj7 -> Eb7 | Setup (Major Key) | 1 |
| Gm7b5 -> C7 | Setup (Minor Key) | 1 |
๐ผ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The A section utilizes a $i - vi^{\varnothing}7 - II7 - V7$ progression ($Fm - Dm7b5 - G7 - C7$), employing a secondary dominant ($G7$) to drive toward the primary dominant ($C7$).
- The bridge shifts focus to the relative major ($Ab$), utilizing frequent $ii - V$ cells ($Bbm7 - Eb7$) to create a brighter tonal contrast to the F minor head.
- Extensive use of $7b9$ extensions on secondary dominants, specifically $F7b9$ resolving to $Bbm7$, provides a sophisticated, “jazzy” tension typical of the cool jazz era.
- The structure relies heavily on the cycle of fourths, moving predictably through $iv7 - VII7 - IIImaj7$ to establish harmonic momentum.
Improvisation Focus
Targeting the $b9$ and $b13$ extensions over the $V7$ chords to emphasize the F minor tonality.
Difficulty Rating
3/5. The moderate tempo and standard $ii-V$ cycles are manageable, but the frequent modulations between F minor and Ab major require intermediate harmonic navigation.
๐ Standard Available in:
The Real Book - Volume I
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