Chord Distribution Analysis

Chord SymbolCountFrequency
Bbm7820.0%
Eb7512.5%
Fm410.0%
C737.5%
Abmaj737.5%
Dm7b525.0%
G725.0%
Cm725.0%

Key Patterns Detected

PatternFunctionFrequency
Bbm7 -> Eb7Setup (Major Key)4
Dm7b5 -> G7Setup (Minor Key)2
C7 -> FmResolution (Minor)2
Cm7b5 -> F7b9Setup (Minor Key)2
F7b9 -> Bbm7Resolution (Minor)2
Bbm7 -> Eb7b9Setup (Major Key)2
Eb7b9 -> Abmaj7Resolution (Major)2
C7b9 -> FmResolution (Minor)1
Eb7 -> Abmaj7Resolution (Major)1
Abmaj7 -> Eb7Setup (Major Key)1
Gm7b5 -> C7Setup (Minor Key)1

Harmonic Highlights

  • The A section utilizes a $i - vi^{\varnothing}7 - II7 - V7$ progression ($Fm - Dm7b5 - G7 - C7$), employing a secondary dominant ($G7$) to drive toward the primary dominant ($C7$).
  • The bridge shifts focus to the relative major ($Ab$), utilizing frequent $ii - V$ cells ($Bbm7 - Eb7$) to create a brighter tonal contrast to the F minor head.
  • Extensive use of $7b9$ extensions on secondary dominants, specifically $F7b9$ resolving to $Bbm7$, provides a sophisticated, “jazzy” tension typical of the cool jazz era.
  • The structure relies heavily on the cycle of fourths, moving predictably through $iv7 - VII7 - IIImaj7$ to establish harmonic momentum.

Improvisation Focus

Targeting the $b9$ and $b13$ extensions over the $V7$ chords to emphasize the F minor tonality.

Difficulty Rating

3/5. The moderate tempo and standard $ii-V$ cycles are manageable, but the frequent modulations between F minor and Ab major require intermediate harmonic navigation.


๐Ÿ“š Standard Available in:

The Real Book - Volume I
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