Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Dmaj7 | 11 | 26.8% |
| E7 | 4 | 9.8% |
| F#m7 | 4 | 9.8% |
| Gmaj7 | 3 | 7.3% |
| Bb7 | 3 | 7.3% |
| A7 | 3 | 7.3% |
| Em7 | 3 | 7.3% |
| Dmaj7#5 | 2 | 4.9% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| A7 -> Dmaj7 | Resolution (Major) | 3 |
| Am7 -> D7 | Setup (Major Key) | 1 |
| D7 -> Gmaj7 | Resolution (Major) | 1 |
- Extensive exploration of the D major tonic through variations such as Dmaj7#5 and D6, creating internal harmonic movement within the tonic.
- Strategic use of a bVI7 chord (Bb7) as a chromatic pre-dominant leading to the V7 (A7), offering a distinctive sound before resolving to D.
- A striking half-step modulation to Ebmaj7#11 introduces a brief but significant tonal shift, creating harmonic tension and surprise.
Improvisation Focus: Mastery of Lydian mode applications over both stable and transient major 7th chords is essential.
Difficulty Rating: 4/5. Demands navigation of sophisticated major chord voicings, chromatic alterations, and abrupt tonal shifts.