Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Am7 | 3 | 10.7% |
| D7 | 3 | 10.7% |
| Gm7 | 3 | 10.7% |
| Ebmaj7 | 2 | 7.1% |
| C7 | 2 | 7.1% |
| Fm7 | 2 | 7.1% |
| Bb7 | 2 | 7.1% |
| Gmaj7 | 2 | 7.1% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Am7 -> D7 | Setup (Major Key) | 3 |
| Gm7 -> C7 | Setup (Major Key) | 2 |
| Fm7 -> Bb7 | Setup (Major Key) | 2 |
| Abm7 -> Db7 | Setup (Major Key) | 1 |
| F#m7 -> B7 | Setup (Major Key) | 1 |
| D7 -> Gmaj7 | Resolution (Major) | 1 |
| Cm7 -> F7 | Setup (Major Key) | 1 |
| C7 -> Fm7 | Resolution (Minor) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The ‘A’ sections utilize descending chromatic ii-V sequences (Am7-D7 to Abm7-Db7), creating a sense of constant modulation that shifts away from the G minor tonic.
- The initial Ebmaj7 serves as a bVI chord, providing a modal anchor before the harmony enters a series of non-functional, side-slipping dominant cycles.
- The bridge employs a functional I-vi-ii-V cycle in the parallel G Major, offering a stable diatonic contrast to the highly chromatic and unstable nature of the primary theme.
Improvisation Focus Voice leading through guide-tone cells (3rds and 7ths) to maintain melodic continuity across rapid half-step shifts.
Difficulty Rating 4: The relentless chromatic modulations and high-speed harmonic rhythm require advanced visualization of shifting tonal centers and precise voice leading.
📚 Standard Available in:
The Real Book - Volume II
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