Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| G7 | 11 | 26.2% |
| C7 | 9 | 21.4% |
| D7 | 7 | 16.7% |
| Fmaj7 | 4 | 9.5% |
| Am7 | 2 | 4.8% |
| Em7 | 2 | 4.8% |
| A7 | 2 | 4.8% |
| Dm7 | 2 | 4.8% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| C7 -> Fmaj7 | Resolution (Major) | 4 |
| Am7 -> D7 | Setup (Major Key) | 2 |
| Em7 -> A7 | Setup (Major Key) | 2 |
| A7 -> Dm7 | Resolution (Minor) | 2 |
| Dm7 -> G7 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Extensive use of secondary dominants (C7, D7, A7) to tonicize the IV, V, and ii chords respectively, driving the harmonic motion.
- Frequent V/V (D7) to V (G7) movements create a bright, “up-cycle” tension common in swing-era standards.
- Sequential ii-V cells (Em7-A7 to Dm7) provide smooth voice leading and temporary tonicization of the supertonic.
Improvisation Focus Chord tone targeting and the C Major Bebop scale to navigate frequent secondary dominant resolutions.
Difficulty Rating 2/5; the predictable AABA structure and standard cycle-of-fifths resolutions make it an accessible vehicle for practicing fundamental jazz vocabulary.
📚 Standard Available in:
The Real Book - Volume II
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