Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Dm7 | 3 | 12.0% |
| Gm7 | 2 | 8.0% |
| C7 | 2 | 8.0% |
| Bbmaj7 | 2 | 8.0% |
| B07 | 2 | 8.0% |
| F/C | 2 | 8.0% |
| Bbm7/Db | 2 | 8.0% |
| Fmaj7 | 1 | 4.0% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 2 |
| Bbmaj7 -> Eb7 | Setup (Major Key) | 1 |
| Am7 -> D7 | Setup (Major Key) | 1 |
| Abm7 -> Db7 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Employs a sophisticated descending chromatic bass line (Dm7 - Dm7/C - Bm7b5 - Bbm/maj7), transitioning from the relative minor through subdominant minor textures.
- Incorporates a C#o7 secondary leading-tone chord to target the Dm7, utilizing diminished tension to bridge diatonic gaps within the F major/Bb major relationship.
- Features frequent modal interchange via Bbm7/Db and Bbm/maj7, momentarily shifting the tonal palette from major to parallel melodic minor.
- Uses a #ivo7 (Bo7) as a passing chord to resolve between the IVmaj7 (Bbmaj7) and the tonic in second inversion (F/C), creating a smooth chromatic ascent.
Improvisation Focus F Melodic Minor (specifically targeting the natural 7th over the Bbm/maj7 chords).
Difficulty Rating 4/5: The rapid shifts between functional diatonicism and chromatic modal interchange require advanced voice leading and precise modal substitutions.