Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Amaj7 | 2 | 12.5% |
| A7 | 2 | 12.5% |
| Dmaj7 | 2 | 12.5% |
| C#7 | 2 | 12.5% |
| D#m7 | 2 | 12.5% |
| G#7 | 2 | 12.5% |
| G7 | 1 | 6.2% |
| F#m7 | 1 | 6.2% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| A7 -> Dmaj7 | Resolution (Major) | 2 |
| Dmaj7 -> G7 | Setup (Major Key) | 1 |
| C#7 -> F#m7 | Resolution (Minor) | 1 |
| F#m7 -> B7 | Setup (Major Key) | 1 |
| B7 -> Emaj7 | Resolution (Major) | 1 |
| D#m7 -> G#7 | Setup (Major Key) | 1 |
- Harmonic Highlights
- Utilization of tritone substitutions (G7 to Amaj7) and secondary dominants (A7 to Dmaj7) to create a signature “lifting” harmonic motion.
- Rapid modulation through disparate tonal centers, including E major and C# major, via concise ii-V-I sequences that depart from the F# minor tonic.
- Frequent use of modal interchange and parallel major/minor relationships that blur the distinction between F# minor and its relative major, A.
Improvisation Focus Major Pentatonic shifting and Lydian vocabulary to navigate rapidly modulating key centers.
Difficulty Rating 4/5; the high-speed tempo combined with constant, non-diatonic harmonic shifts requires advanced technical facility and harmonic foresight.