Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Cm7/F | 5 | 12.5% |
| Bbmaj7 | 4 | 10.0% |
| Bbmaj7/F | 4 | 10.0% |
| Ebmaj7 | 3 | 7.5% |
| Gm7 | 2 | 5.0% |
| Gm6 | 2 | 5.0% |
| D7sus | 2 | 5.0% |
| D7b9 | 2 | 5.0% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| D7b9 -> Gm7 | Resolution (Minor) | 1 |
| Fm7 -> Bb7 | Setup (Major Key) | 1 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 1 |
| Bbm7/F -> F7b9sus | Setup (Major Key) | 1 |
| F7b9sus -> Bbmaj7 | Resolution (Major) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Tonic minor line cliché (Gm7-Gm6-Gmb6) employs chromatic internal voice-leading (F-E-Eb-D) over a static G root.
- G7 (V7/IV) functions as a secondary dominant, smoothly transitioning the G minor tonality toward the Ebmaj7 chorus.
- A subdominant minor shift (Ebm6) provides a “iv-I” cadence returning to the relative major center of Bb.
- Frequent use of D7sus to D7b9 (V7sus-V7alt) creates the signature tension-release tension characteristic of bossa-inflected jazz.
Improvisation Focus
G Melodic Minor to navigate the shifting 6th and 7th degrees within the tonic minor cliché.
Difficulty Rating
3/5. While the tempo is usually moderate, the shifting modal centers and chromatic inner voices require sophisticated guide-tone navigation.