Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Gm7 | 11 | 20.4% |
| C7 | 11 | 20.4% |
| F6 | 7 | 13.0% |
| Dm7 | 6 | 11.1% |
| Fmaj7 | 2 | 3.7% |
| D7 | 2 | 3.7% |
| Eb7 | 2 | 3.7% |
| Ab6 | 1 | 1.9% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 11 |
| C7 -> Fmaj7 | Resolution (Major) | 2 |
| D7 -> Gm7 | Resolution (Minor) | 2 |
| Bbm7 -> Eb7 | Setup (Major Key) | 1 |
| Eb7 -> Abmaj7 | Resolution (Major) | 1 |
| G7 -> Cmaj7 | Resolution (Major) | 1 |
| Cm7 -> F7 | Setup (Major Key) | 1 |
| F7 -> Bbmaj7 | Resolution (Major) | 1 |
| Bbm6 -> Eb7 | Setup (Major Key) | 1 |
Harmonic Highlights:
- Features prevalent ii-V-I and I-vi-ii-V progressions within the F major key, establishing a clear tonal center.
- Employs the secondary dominant D7 (V/ii) leading to Gm7, adding a common but effective harmonic tension and resolution.
- Includes a significant temporary modulation to Ab major (bIII) via an Ab6, Fm7, Bbm7, Eb7 progression, offering a distinct color change.
Improvisation Focus: Chord tone outlining and guide tone resolution across ii-V-I changes and modulations.
Difficulty Rating: 3 (Intermediate) – While the primary key is accessible, the modulation to Ab major and use of secondary dominants require an understanding of broader harmonic movement.