Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Abm6 | 4 | 16.7% |
| Eb | 4 | 16.7% |
| Bb7 | 3 | 12.5% |
| Gm7 | 3 | 12.5% |
| Eb6 | 2 | 8.3% |
| Eb7 | 2 | 8.3% |
| Am7b5 | 2 | 8.3% |
| D7b9 | 2 | 8.3% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Eb7 -> Abm6 | Resolution (Minor) | 2 |
| Am7b5 -> D7b9 | Setup (Minor Key) | 2 |
| D7b9 -> Gm7 | Resolution (Minor) | 2 |
| Fm7 -> Bb7 | Setup (Major Key) | 1 |
- The initial
Eb6 - Eb7movement introduces a bluesy flavor, often anticipating the IV chord or adding a dominant quality to the tonic. - A clear tonicization of the iii minor occurs through the
Am7b5 - D7b9 - Gm7(ii-V-i in G minor) progression. - The
Abm6(iv minor) chord provides a distinct modal interchange or minor color, adding harmonic richness to the Eb major key. Gb7functions as a chromatic dominant, creating tension before theFm7 - Bb7(ii-V) progression.
Improvisation Focus: Navigating temporary tonicizations and modal interchange scales.
Difficulty Rating: 4/5. It requires understanding of secondary dominants, modal interchange, and executing ii-V-i progressions in minor keys.