Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| C7 | 7 | 20.0% |
| Fm | 5 | 14.3% |
| G7 | 5 | 14.3% |
| C7/E | 3 | 8.6% |
| Ebm6 | 3 | 8.6% |
| Dbmaj7 | 3 | 8.6% |
| Fm7 | 2 | 5.7% |
| F6 | 2 | 5.7% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Fm -> C7/E | Setup (Major Key) | 3 |
| C7 -> Fm | Resolution (Minor) | 3 |
| C7 -> Fm7 | Resolution (Minor) | 2 |
| Fm7 -> C7 | Setup (Major Key) | 2 |
| Dm7b5 -> G7 | Setup (Minor Key) | 1 |
| F7 -> Bbm7 | Resolution (Minor) | 1 |
| Bbm7 -> Eb7 | Setup (Major Key) | 1 |
Harmonic Highlights
- Chromatic bass movement from
FmtoC7/E(i to V7/3rd) establishing immediate dominant pull. - Distinct modal interchange with
Ebm6(biv6) moving toDbmaj7(bVImaj7), defining a characteristic minor key sound. - Strong dominant preparation using
bVImaj7 - V7/V - V7(Dbmaj7 - G7 - C7) to resolve to the tonic. - Inclusion of the minor
iiø7-V7(Dm7b5 - G7) provides sophisticated dominant motion, often preparingC7.
- Chromatic bass movement from
Improvisation Focus F Natural Minor (Aeolian) scale, effectively navigating the primary minor key harmonies and modal interchange.
Difficulty Rating 3 (Intermediate) - Requires navigating both traditional minor key harmony and distinct modal interchange, along with clear dominant function.