Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fm7 | 5 | 22.7% |
| Gbmaj7#11 | 2 | 9.1% |
| Ebm7 | 2 | 9.1% |
| Dbmaj7 | 1 | 4.5% |
| C7b9 | 1 | 4.5% |
| F#m7 | 1 | 4.5% |
| B7 | 1 | 4.5% |
| Emaj7 | 1 | 4.5% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| C7b9 -> Fm7 | Resolution (Minor) | 1 |
| F#m7 -> B7 | Setup (Major Key) | 1 |
| B7 -> Emaj7 | Resolution (Major) | 1 |
| Fm7 -> Bb7 | Setup (Major Key) | 1 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 1 |
| C7/E -> Fm7 | Resolution (Minor) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The opening bVIImaj7#11 (Gbmaj7) to vi7 (Fm7) progression creates a non-functional, Lydian-inflected atmosphere that avoids immediate tonic resolution.
- A sudden shift to E major via a ii-V-I (F#m7–B7–Emaj7) introduces a remote tonal center (bVI relative to the home key), necessitating quick harmonic pivoting.
- The turnaround employs a rising stepwise bass line (C7/D to C7/E) to build tension before resolving to the relative minor (Fm7).
Improvisation Focus Navigating rapid modulations between distantly related keys (Ab major and E major) while maintaining the 3/4 waltz feel.
Difficulty Rating 3.5/5. The moderate tempo is accessible, but the constant shifting between unrelated tonal centers and the non-diatonic Lydian colors require sophisticated harmonic navigation.