Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fmaj7 | 4 | 21.1% |
| Cmaj7 | 2 | 10.5% |
| D9 | 2 | 10.5% |
| G7#11 | 2 | 10.5% |
| G7 | 1 | 5.3% |
| C7 | 1 | 5.3% |
| F7 | 1 | 5.3% |
| Bb7 | 1 | 5.3% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| C7 -> Fmaj7 | Resolution (Major) | 1 |
- Frequent use of the tonic dominant (F7) leading to the subdominant (Bb7), imparting a blues-infused character.
- Direct tritone substitution (Gb7 to Fmaj7) provides a strong bII7-I resolution.
- Monk’s signature chromatic planing is evident with the F#m7 to Fm7 progression.
- The unexpected Dbmaj7#11 (bVImaj7#11) introduces a distant, Lydian color.
Improvisation Focus: Outlining chord tones with chromatic passing tones and enclosures.
Difficulty Rating: 5 (Advanced) - Its frequent chromatic shifts, tritone substitutions, and unexpected modulations demand precise navigation and advanced harmonic understanding.