Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fmaj7 | 4 | 21.1% |
| Cmaj7 | 2 | 10.5% |
| D9 | 2 | 10.5% |
| G7#11 | 2 | 10.5% |
| G7 | 1 | 5.3% |
| C7 | 1 | 5.3% |
| F7 | 1 | 5.3% |
| Bb7 | 1 | 5.3% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| C7 -> Fmaj7 | Resolution (Major) | 1 |
πΌ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights:
- Employs chromatic side-stepping (Gb7 to Fmaj7), utilizing a bII7 dominant to bypass standard V-I functional resolutions.
- Frequent use of #11 extensions (G7#11, F7#11) and Lydian Dominant colors to create signature dissonant clusters.
- Non-diatonic root movement and chromatic descent, such as the F#m7 to Fm7 sequence, which subverts traditional cycle-of-fifths logic.
Improvisation Focus: The Whole-Tone Scale and Lydian Dominant modes to navigate angular intervals and specific #11 tensions.
Difficulty Rating: 4/5 β The non-functional chromaticism and idiosyncratic shifts require advanced harmonic navigation and rhythmic precision to maintain the “Monk” aesthetic.