Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| G6 | 4 | 10.0% |
| Fmaj7 | 4 | 10.0% |
| D7b9 | 3 | 7.5% |
| Am9 | 2 | 5.0% |
| Gm9 | 2 | 5.0% |
| C7b9 | 2 | 5.0% |
| Fm7 | 2 | 5.0% |
| D7b5 | 2 | 5.0% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Am9 -> D7b9 | Setup (Major Key) | 2 |
| Gm9 -> C7b9 | Setup (Major Key) | 2 |
| C7b9 -> Fmaj7 | Resolution (Major) | 2 |
| Fm7 -> Bb7sus | Setup (Major Key) | 1 |
| Bb7b9 -> Ebmaj7 | Resolution (Major) | 1 |
| Am7b5 -> D7b5 | Setup (Minor Key) | 1 |
| D7 -> Gmaj7 | Resolution (Major) | 1 |
| E7b13 -> Am9 | Resolution (Minor) | 1 |
| Dm7b5 -> G7b9 | Setup (Minor Key) | 1 |
| G7b9 -> Cmaj7 | Resolution (Major) | 1 |
| Cmaj7 -> F7 | Setup (Major Key) | 1 |
| Am7 -> D7b9 | Setup (Major Key) | 1 |
| Bm7b5 -> E7b9 | Setup (Minor Key) | 1 |
πΌ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The progression employs sequential descending ii-V-I patterns, modulating from G major down to F major and then to Eb major, creating a characteristic “drifting” tonal effect.
- Extensive use of b9 and b13 extensions on dominant chords provides a lush, cinematic tension typical of 1940s film noir harmonies.
- A chromatic pivot occurs via the Cm7 to Am7b5 transition, functioning as a sophisticated bridge to return the harmony from Eb major back to the primary G major tonic.
Improvisation Focus Navigating rapid tonal center shifts by targeting 3rds and 7ths within descending ii-V sequences.
Difficulty Rating 4/5: The constant modulation through keys related by minor and major thirds requires advanced harmonic navigation and quick mental transposition.
π Standard Available in:
The Real Book - Volume VI
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