Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fmaj7 | 4 | 12.5% |
| F7 | 4 | 12.5% |
| Fm6 | 3 | 9.4% |
| C7b9 | 3 | 9.4% |
| G7 | 3 | 9.4% |
| Fm | 2 | 6.2% |
| Fmaug | 2 | 6.2% |
| Fm7 | 2 | 6.2% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| D7 -> Gm7 | Resolution (Minor) | 2 |
| Gm7 -> C7b9 | Setup (Major Key) | 2 |
| C7b9 -> Fm | Resolution (Minor) | 1 |
| C7b9 -> Fm6 | Resolution (Minor) | 1 |
Harmonic Highlights:
- Establishes a minor tonic (Fm family) before transitioning to Fmaj7, creating a signature melancholic yet resolving character.
- Features a non-diatonic bVII7 (Eb7) leading to a secondary dominant (D7 of Gm7), introducing unexpected harmonic twists.
- Frequent deployment of dominant 7th chords (F7, G7, Eb7, D7) reflects strong blues influences and functions as transient modulations.
- The G7sus to C7b9 progression serves as a classic V/V to V preparation, setting up the return to the tonic.
Improvisation Focus: Navigating the F Blues scale over both minor and major tonic areas, emphasizing arpeggios for dominant resolutions.
Difficulty Rating: 4 (Advanced Intermediate). The intricate blend of minor-to-major tonality and non-diatonic dominant progressions requires sophisticated harmonic awareness.