Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Bb6 | 4 | 14.3% |
| C7 | 3 | 10.7% |
| Ebmaj7 | 2 | 7.1% |
| Ab7 | 2 | 7.1% |
| Bmaj7 | 2 | 7.1% |
| Amaj7 | 2 | 7.1% |
| Gmaj7 | 2 | 7.1% |
| Fm7 | 1 | 3.6% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Fm7 -> Bb7 | Setup (Major Key) | 1 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 1 |
| Ebmaj7 -> Ab7 | Setup (Major Key) | 1 |
| C#m7 -> F#7 | Setup (Major Key) | 1 |
| F#7 -> Bmaj7 | Resolution (Major) | 1 |
| Bm7 -> E7 | Setup (Major Key) | 1 |
| E7 -> Amaj7 | Resolution (Major) | 1 |
| Am7 -> D7 | Setup (Major Key) | 1 |
| D7 -> Gmaj7 | Resolution (Major) | 1 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
| Cm7 -> F7#5 | Setup (Major Key) | 1 |
πΌ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The bridge features a demanding sequence of ii-V-I progressions descending by whole steps (Bmaj7, Amaj7, Gmaj7), requiring mastery of distal key centers.
- It utilizes a classic I - ii/V - IV move (Bb6 to Fm7-Bb7 to Ebmaj7) followed by a backdoor bVII7 (Ab7) resolution back to the tonic.
- The structure follows the “Cherokee” changes, characterized by secondary dominants and rapid-fire chromatic ii-V substitutions typical of high-speed Bebop.
Improvisation Focus Fluent navigation of sequential ii-V-I cells at extreme tempos.
Difficulty Rating 5/5 β The relentless tempo and rapid modulations through the bridge demand virtuosic technical facility and advanced harmonic mapping.
π Standard Available in:
The Real Book - Volume IV
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