Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Dm7 | 13 | 20.6% |
| A7#9 | 9 | 14.3% |
| F7 | 5 | 7.9% |
| Cm7 | 4 | 6.3% |
| Bb7 | 4 | 6.3% |
| G7 | 3 | 4.8% |
| F/C | 3 | 4.8% |
| Fmaj7/C | 2 | 3.2% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| A7#9 -> Dm7 | Resolution (Minor) | 9 |
| Cm7 -> F7 | Setup (Major Key) | 4 |
| Dm7 -> A7#9 | Setup (Major Key) | 3 |
| Dm7 -> G7 | Setup (Major Key) | 3 |
| A7/C# -> Dm7 | Resolution (Minor) | 2 |
| Bm7b5 -> E7#9 | Setup (Minor Key) | 1 |
| A7 -> Dm7 | Resolution (Minor) | 1 |
| F7 -> Bbmaj7 | Resolution (Major) | 1 |
| Bbmaj7 -> Eb7 | Setup (Major Key) | 1 |
| Em7b5 -> A7#9 | Setup (Minor Key) | 1 |
| Em7b5 -> A7 | Setup (Minor Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Frequent tonicization of the relative minor (D minor) through A7#9 altered dominants creates a sophisticated modal interplay between the F major tonic and its relative minor.
- Rapid ii-V-I cycles (Cm7-F7-Bb7) facilitate smooth movement toward the subdominant (Bb7), while secondary dominants like G7 provide blues-inflected chromaticism.
- Intricate bass motion using specific inversions (A7/C#, Dm7/C) and minor ii-V sequences (Bm7b5-E7#9) ensures fluid voice leading across the dense harmonic rhythm of the waltz.
Improvisation Focus D Melodic Minor is the most versatile concept for navigating the recurring minor ii-V-i sequences and the specific altered tensions (A7#9) found throughout the form.
Difficulty Rating 4; the progression requires advanced harmonic awareness to navigate rapid tonal shifts and altered dominant extensions within a lyrical 3/4 waltz feel.
📚 Standard Available in:
The Real Book - Volume II
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