Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Bb7 | 5 | 11.1% |
| Fm7 | 5 | 11.1% |
| Ebmaj7 | 3 | 6.7% |
| Am7b5 | 3 | 6.7% |
| C7b9 | 3 | 6.7% |
| E07 | 2 | 4.4% |
| F7 | 2 | 4.4% |
| Abm7 | 2 | 4.4% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| C7b9 -> Fm7 | Resolution (Minor) | 3 |
| Gm7b5 -> C7b9 | Setup (Minor Key) | 2 |
| F#m7 -> B7 | Setup (Major Key) | 1 |
| B7 -> Emaj7/G# | Resolution (Major) | 1 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 1 |
| Am7b5 -> D7 | Setup (Minor Key) | 1 |
| D7 -> Gm7 | Resolution (Minor) | 1 |
| Fm7 -> Bb7sus | Setup (Major Key) | 1 |
| Fm7 -> Bb7 | Setup (Major Key) | 1 |
๐ผ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Parallel Chromaticism: The progression utilizes a descending sequence (Am7b5 โ Abm7 โ Gm7b5) to create sophisticated voice leading toward the primary dominant (C7b9).
- Distant Modulation: A sudden shift to E major (bVII in the context of F minor) occurs via F#m7 โ B7, requiring a quick pivot to a non-diatonic tonal center.
- Functional Passing Chords: The use of Eยฐ7 between Ebmaj7 and F7 serves as a chromatic connector, smoothing the transition between subdominant and secondary dominant functions.
Improvisation Focus Targeting chord tones via chromatic voice leading to navigate the rapid shifts between F minor and E major.
Difficulty Rating 4/5: The combination of parallel minor-seventh movements and abrupt modulations to distant keys requires advanced harmonic navigation and quick mental transposition.