Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| D7 | 11 | 29.7% |
| Am7 | 10 | 27.0% |
| Gmaj7 | 5 | 13.5% |
| G6 | 2 | 5.4% |
| Dm7 | 1 | 2.7% |
| G7 | 1 | 2.7% |
| Cmaj7 | 1 | 2.7% |
| Am7b5 | 1 | 2.7% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Am7 -> D7 | Setup (Major Key) | 9 |
| D7 -> Am7 | Resolution (Minor) | 6 |
| D7 -> Gmaj7 | Resolution (Major) | 2 |
| Dm7 -> G7 | Setup (Major Key) | 1 |
| G7 -> Cmaj7 | Resolution (Major) | 1 |
| Am7b5 -> D7 | Setup (Minor Key) | 1 |
| Bm7b5 -> E7 | Setup (Minor Key) | 1 |
| E7 -> Am7 | Resolution (Minor) | 1 |
| Em7 -> A7 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Persistent ii-V sequences (Am7-D7) reinforce the G major tonic while providing rhythmic forward motion.
- A secondary ii-V (Dm7-G7) facilitates a smooth modulation to the subdominant Cmaj7.
- The inclusion of a minor ii-V (Am7b5-D7) introduces chromatic tension and melodic minor colors before resolving to the tonic.
- The Bm7b5-E7-Am7 progression utilizes a iii-VI-ii sequence, standardizing the circle-of-fifths movement back toward the predominant.
Improvisation Focus Guide Tone Voice Leading: Target the resolution of the b7 of the V7 chord to the 3rd of the subsequent chord to navigate the frequent ii-V cycles.
Difficulty Rating 2/5: The harmonic structure relies on predictable diatonic cliches and standard jazz turnarounds, making it highly accessible for intermediate soloists.
📚 Standard Available in:
The Real Book - Volume I
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