Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| F6 | 6 | 26.1% |
| G7 | 4 | 17.4% |
| C7 | 3 | 13.0% |
| Db7 | 3 | 13.0% |
| Gm7 | 2 | 8.7% |
| F7 | 2 | 8.7% |
| Eb7 | 2 | 8.7% |
| C7#5 | 1 | 4.3% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 2 |
Harmonic Highlights
- Features a secondary dominant (G7, V/V) creating early harmonic tension.
- Employs non-diatonic dominants (Eb7, bVII7 and Db7, bVI7) for a distinctive “backdoor” and chromatic flavor.
- Includes a prominent chromatic dominant descent (Eb7 - Db7 - C7) leading to the tonic dominant.
- Utilizes an altered dominant (C7#5) to intensify the resolution back to the F major tonic.
Improvisation Focus Dominant alterations and chromatic passing tones.
Difficulty Rating 4 (Advanced Intermediate) - Requires navigating numerous non-diatonic dominants and altered chord tones, demanding precise harmonic awareness.