Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Gmaj7 | 14 | 17.5% |
| F#m7 | 8 | 10.0% |
| A | 6 | 7.5% |
| Bm7 | 6 | 7.5% |
| G | 5 | 6.2% |
| A/C# | 4 | 5.0% |
| Dmaj7 | 3 | 3.8% |
| D | 3 | 3.8% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| C#m7b5 -> F#7 | Setup (Minor Key) | 2 |
| F#7 -> Bm7 | Resolution (Minor) | 2 |
| F#7/A# -> Bm | Resolution (Minor) | 1 |
πΌ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The introduction utilizes a shimmering chromatic sequence (D#6 to C6) that creates non-functional tension before resolving into the primary D major tonality.
- Stepwise descending bass lines through slash chords (G/B to Gm/Bb to D/A) provide a smooth, lyrical foundation and classic minor plagal (iv-I) color.
- Modal interchange is used via the Fmaj7/A chord, momentarily shifting the palette toward D Mixolydian/Minor before snapping back to diatonic D major.
- The harmonic rhythm alternates between static D major sections and rapid voice-leading movements, requiring agility to maintain the “Americana” aesthetic.
Improvisation Focus D Major Pentatonic/Hexatonic with a strong emphasis on chord-tone targeting to navigate the chromatic bass transitions.
Difficulty Rating 3/5; while largely diatonic, the specific slash-chord voicings and the non-standard introductory shifts require precise melodic sensitivity and ear training.
π Standard Available in:
The Real Book - Volume III
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