Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|
| Gmaj7 | 14 | 17.5% |
| F#m7 | 8 | 10.0% |
| A | 6 | 7.5% |
| Bm7 | 6 | 7.5% |
| G | 5 | 6.2% |
| A/C# | 4 | 5.0% |
| Dmaj7 | 3 | 3.8% |
| D | 3 | 3.8% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|
| C#m7b5 -> F#7 | Setup (Minor Key) | 2 |
| F#7 -> Bm7 | Resolution (Minor) | 2 |
| F#7/A# -> Bm | Resolution (Minor) | 1 |
- Harmonic Highlights:
- Employs initial chromatic bass movement over non-diatonic chords (
D#6, B/D#) creating unexpected harmonic color. - Utilizes modal interchange, notably shifting from parallel major to minor harmonies (
G/B to Gm/Bb). - Integrates bVII chords (
C6, C07) to build tension, with the C07 functioning as a strong chromatic pull towards the D major tonic.
- Improvisation Focus: D Major scale with a strong emphasis on navigating modal interchange and chromaticism.
- Difficulty Rating: 4 (Advanced Intermediate). The blend of diatonic, modal, and chromatic harmony requires extensive melodic flexibility and harmonic awareness.