Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Cm7 | 6 | 18.2% |
| F7 | 6 | 18.2% |
| Bbmaj7 | 4 | 12.1% |
| Db07 | 4 | 12.1% |
| C7 | 4 | 12.1% |
| Gm7 | 3 | 9.1% |
| Dm7 | 2 | 6.1% |
| Ebm7 | 1 | 3.0% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Cm7 -> F7 | Setup (Major Key) | 5 |
| F7 -> Bbmaj7 | Resolution (Major) | 3 |
| Gm7 -> C7 | Setup (Major Key) | 3 |
| Ebm7 -> Ab7 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Frequent use of Dbº7 (bIIIº7) as a chromatic passing chord provides smooth voice leading between the tonic (Bbmaj7) and the supertonic (Cm7).
- The progression relies on recurring ii-V-I turnarounds in Bb major, establishing a strong, traditional tonal center.
- The C7 (V/V) functions as a secondary dominant, creating a temporary pull toward the dominant (F7) by way of the Cm7.
- Chromaticism is primarily melodic and functional rather than modulatory, maintaining a stable harmonic environment.
Improvisation Focus Bb Major Scale with Chromatic Passing Tones, specifically utilizing the Bb Whole-Half Diminished scale to navigate the Dbº7 passing chords.
Difficulty Rating 2/5: The song features predictable harmonic rhythms and standard cycle-of-fifths movements, making it an ideal study for basic chromatic voice leading.
📚 Standard Available in:
The Real Book - Volume V
🛒 Buy on AmazonAs an Amazon Associate I earn from qualifying purchases. Check the Hal Leonard Jazz Song Finder to make sure that the standard is indeed in the book before buying it.