Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Cm7 | 6 | 24.0% |
| G7 | 6 | 24.0% |
| F7 | 4 | 16.0% |
| Ab7 | 3 | 12.0% |
| Bb7 | 3 | 12.0% |
| C7 | 2 | 8.0% |
| Eb6 | 1 | 4.0% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| G7 -> Cm7 | Resolution (Minor) | 4 |
| Cm7 -> F7 | Setup (Major Key) | 1 |
πΌ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The progression utilizes a signature minor turnaround (Cm7 - Ab7 - G7), where the Ab7 functions as a bVI7 tritone substitute or chromatic approach to the V7.
- A sequence of secondary dominants (C7 - F7 - Bb7) moves through the circle of fourths, momentarily shifting the tonal center toward the subdominant and relative major areas.
- The structure relies on strong V-i resolutions (G7 to Cm7), often interspersed with dominant chains that create tension and release typical of early swing era standards.
- The bridge typically shifts harmonic rhythm, utilizing extended dominant cycles to navigate back to the primary C minor tonality.
Improvisation Focus The C Harmonic Minor scale is the most critical tool for addressing the G7 to Cm7 resolutions, providing the necessary leading tone (B natural) for authentic minor jazz phrasing.
Difficulty Rating 3/5; while the harmonic vocabulary is standard, the typically fast swing tempos require high-level rhythmic precision and fluid voice leading over rapid chord changes.
π Standard Available in:
The Real Book - Volume II
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