Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| G6 | 2 | 18.2% |
| G | 1 | 9.1% |
| Gmaj7 | 1 | 9.1% |
| F#m7b5 | 1 | 9.1% |
| B7 | 1 | 9.1% |
| Em7 | 1 | 9.1% |
| Dm7 | 1 | 9.1% |
| G7sus | 1 | 9.1% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| F#m7b5 -> B7 | Setup (Minor Key) | 1 |
| B7 -> Em7 | Resolution (Minor) | 1 |
| Dm7 -> G7sus | Setup (Major Key) | 1 |
| Bm7b5 -> E7 | Setup (Minor Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The progression utilizes a secondary ii-V (F#m7b5 - B7) to target the relative minor (Em7), establishing a melancholic, bolero-influenced movement.
- A modulation to the subdominant occurs via a ii-V of IV (Dm7 - G7sus), momentarily shifting the tonal center toward C Major.
- The sequence Bm7b5 - E7 functions as a chromatic bridge (ii-V of ii) to resolve into Am7, demonstrating sophisticated voice leading within G Major.
- The static I chord (G6 to Gmaj7) at the start emphasizes diatonic stability before the cycle of fifths introduces functional chromaticism.
Improvisation Focus Targeting chord tones via guide tones (3rds and 7ths) to navigate the frequent secondary ii-V progressions and temporary key centers.
Difficulty Rating 3/5: While the ballad tempo is forgiving, the performer must master multiple minor ii-V-I patterns and secondary dominants to outline the harmony effectively.
📚 Standard Available in:
The Real Vocal Book - Volume IV
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