Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Gm7 | 6 | 20.7% |
| Fmaj7 | 4 | 13.8% |
| C7 | 4 | 13.8% |
| F6 | 3 | 10.3% |
| F | 2 | 6.9% |
| D7 | 2 | 6.9% |
| F#07 | 1 | 3.4% |
| C7#5 | 1 | 3.4% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| C7 -> Gm7 | Resolution (Minor) | 2 |
| D7 -> Gm7 | Resolution (Minor) | 2 |
| Gm7 -> C7 | Setup (Major Key) | 2 |
| Gm7 -> D7 | Setup (Major Key) | 1 |
| Gm7 -> C7#5 | Setup (Major Key) | 1 |
| C7#5 -> Fmaj7 | Resolution (Major) | 1 |
| Am7b5 -> D7b9 | Setup (Minor Key) | 1 |
| D7b9 -> Gm7 | Resolution (Minor) | 1 |
| Am7 -> D7 | Setup (Major Key) | 1 |
Harmonic Highlights:
- Employs Fmaj7 and F6 variations to enrich and color the tonic F major chord.
- Features F#07 as a chromatic diminished passing chord, functioning as a common Vio7/V leading to C7.
- Incorporates a classic minor ii-V progression (Am7b5 - D7b9) resolving to Gm7, the supertonic.
- Utilizes a chromatic movement with Bbm6 - Db7 - C7, where Db7 acts as a bII7 leading to the V chord.
Improvisation Focus: F Major scale and arpeggios, emphasizing Mixolydian over dominant chords and Dorian over minor ii-V progressions.
Difficulty Rating: 3 (Intermediate). The harmony is mostly diatonic with standard secondary dominants and diminished chords, requiring comfortable navigation of ii-V patterns.