Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| G7 | 10 | 18.5% |
| G | 7 | 13.0% |
| C7 | 5 | 9.3% |
| C#07 | 4 | 7.4% |
| E7 | 4 | 7.4% |
| G07 | 3 | 5.6% |
| C7/G | 2 | 3.7% |
| A7b9 | 2 | 3.7% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Bbm7 -> Eb7 | Setup (Major Key) | 1 |
| Eb7 -> Abmaj7 | Resolution (Major) | 1 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
| C7 -> Fm7 | Resolution (Minor) | 1 |
| Fm7 -> Bb7 | Setup (Major Key) | 1 |
๐ผ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Employs a modified 12-bar blues structure adapted for 3/4 time, integrating ragtime-influenced syncopation into a jazz framework.
- Utilizes chromatic diminished passing chords (Gยฐ7 and C#ยฐ7) to create tension and smooth voice-leading transitions between the G7 tonic and D7 dominant.
- Features a secondary dominant turnaround (E7โA7b9โD7b9) that provides a strong cyclical resolution back to the G major tonic.
Improvisation Focus The G Blues scale (G, Bb, C, Db, D, F) combined with G Mixolydian.
Difficulty Rating 3/5; while the harmonic changes are primarily blues-based, the “raggy” 3/4 syncopation and chromatic diminished substitutions require intermediate rhythmic precision and voice-leading skills.
๐ Standard Available in:
The Real Book - Volume V
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