Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Bbmaj7 | 5 | 20.8% |
| Gm7 | 4 | 16.7% |
| Cm7 | 4 | 16.7% |
| F7 | 4 | 16.7% |
| Fm7 | 1 | 4.2% |
| Bb7 | 1 | 4.2% |
| Ebmaj7 | 1 | 4.2% |
| Ebm7 | 1 | 4.2% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Cm7 -> F7 | Setup (Major Key) | 4 |
| F7 -> Bbmaj7 | Resolution (Major) | 4 |
| Fm7 -> Bb7 | Setup (Major Key) | 1 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 1 |
| D7b9 -> Gm7 | Resolution (Minor) | 1 |
๐ผ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Employs a foundational I-vi-ii-V (Bbmaj7-Gm7-Cm7-F7) turnaround, establishing a strong diatonic framework.
- Utilizes a secondary ii-V (Fm7-Bb7) to tonicize the IV chord (Ebmaj7), expanding the harmonic palette beyond the home key.
- Incorporates a minor IV (Ebm7) and a chromatic passing diminished chord (Dbยฐ7) to facilitate smooth linear voice-leading back to the ii-V.
Improvisation Focus Bb Major Bebop scale, specifically targeting the b6 (Gb) over the Ebm7 and the b3 (Db) over the diminished passing chord.
Difficulty Rating 2/5: The progression relies on standard functional harmony and predictable cycle-of-fourths resolutions, making it highly accessible for intermediate improvisers.
๐ Standard Available in:
The Real Book - Volume III
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