Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Gm | 6 | 18.8% |
| Gm7 | 3 | 9.4% |
| D7 | 3 | 9.4% |
| Gm/F# | 2 | 6.2% |
| Gm/F | 2 | 6.2% |
| Gm/maj7 | 2 | 6.2% |
| C7/E | 2 | 6.2% |
| Eb7 | 2 | 6.2% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| D7 -> Gm | Resolution (Minor) | 3 |
| Gm/maj7 -> C7/E | Setup (Major Key) | 2 |
| Gm7 -> D7 | Setup (Major Key) | 2 |
| Fm7 -> Bb7 | Setup (Major Key) | 1 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
| Gm -> C7 | Setup (Major Key) | 1 |
- The opening section features a prominent descending chromatic bass line over the tonic
Gmharmony (Gm, Gm/F#, Gm/F), creating a classic minor line cliché. - The explicit inclusion of
Gm/maj7introduces a darker, modern minor sonority to the tonic, moving beyond a simple natural minor. - The harmony employs sequential ii-V-I progressions, such as
Fm7-Bb7-Eb6(ii-V-I in Eb), temporarily shifting tonal centers and adding significant harmonic movement.
Improvisation Focus: G Dorian mode.
Difficulty Rating: 4 (Advanced Intermediate). Requires navigating frequent temporary modulations and non-diatonic extensions beyond basic minor harmony.