Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| F7 | 8 | 17.8% |
| Bbmaj7 | 7 | 15.6% |
| Ebmaj7 | 6 | 13.3% |
| Ebm6 | 5 | 11.1% |
| Cm7 | 4 | 8.9% |
| Fm7 | 3 | 6.7% |
| Bb7 | 3 | 6.7% |
| Db07 | 2 | 4.4% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| F7 -> Bbmaj7 | Resolution (Major) | 5 |
| Fm7 -> Bb7 | Setup (Major Key) | 3 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 3 |
| Cm7 -> F7 | Setup (Major Key) | 3 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Employs a signature minor plagal cadence (IV to iv) through the Ebmaj7 to Ebm6 movement, utilizing the chromatic descent from G to Gb.
- Uses chromatic diminished passing chords (Db°7 and B°7) to create smooth, stepwise voice leading between the diatonic iii (Dm7) and ii (Cm7).
- Incorporates secondary ii-V sequences (Fm7 - Bb7) to tonicize the IV chord, a classic functional device in the Great American Songbook.
- Utilizes tritone substitutions (Ab7) and altered dominants (A7#5) in turnarounds to provide tension before resolving to the Bb tonic.
Improvisation Focus Bb Major Bebop scale, with specific emphasis on the b6 (Gb) to navigate the IV-iv transition.
Difficulty Rating 2/5. The progression relies on standard diatonic logic and common chromatic passing tones, making it an accessible study in functional harmony and voice leading.
📚 Standard Available in:
The Real Book - Volume V
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