Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Dbmaj7 | 4 | 10.0% |
| Eb9 | 4 | 10.0% |
| Ab13b9 | 3 | 7.5% |
| Bbmaj7 | 2 | 5.0% |
| Bb7#5 | 2 | 5.0% |
| Amaj7 | 2 | 5.0% |
| Gm7b5 | 2 | 5.0% |
| C7b9 | 2 | 5.0% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7b5 -> C7b9 | Setup (Minor Key) | 2 |
| C7b9 -> Fm6 | Resolution (Minor) | 1 |
| Am7b5 -> D7b9 | Setup (Minor Key) | 1 |
| D7b9 -> Gm6 | Resolution (Minor) | 1 |
| C7b9 -> Fmaj7 | Resolution (Major) | 1 |
| Db7#11 -> Gbmaj7 | Resolution (Major) | 1 |
| Ebm7 -> Ab7 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Non-functional chromatic mediant shifts: The movement from Dbmaj7 to Bbmaj7 bypasses standard functional harmony through tertiary relationships.
- Chromatic Planing: The descending parallel major 7th chords (Fmaj7 - Emaj7 - Ebmaj7) exemplify the impressionistic Ellington-Strayhorn signature.
- Minor ii-V-i Anchors: Traditional Gm7b5 - C7b9 - Fm6 sequences provide tonal stability amidst frequent, distant modulations.
Improvisation Focus Db Lydian Scale and Chromatic Voice Leading.
Difficulty Rating 4/5: The rapid modulations between distant keys and non-standard chord resolutions require advanced harmonic navigation and precise ear training.
📚 Standard Available in:
The Real Book - Volume III
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