Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fmaj7 | 9 | 29.0% |
| Ebmaj7 | 4 | 12.9% |
| Bbmaj7 | 4 | 12.9% |
| F6 | 3 | 9.7% |
| Bbm6 | 2 | 6.5% |
| Gm7 | 2 | 6.5% |
| C7 | 2 | 6.5% |
| F13 | 2 | 6.5% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| F7 -> Bbmaj7 | Resolution (Major) | 1 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
| C7 -> Fmaj7 | Resolution (Major) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The repetitive oscillation between Fmaj7 and Ebmaj7 (Imaj7–bVIImaj7) utilizes modal interchange, specifically borrowing from the F Mixolydian mode.
- The transition from Bbmaj7 to Bbm6 establishes a classic IV–iv–I progression, utilizing the minor subdominant for chromatic voice leading (D to Db to C).
- Use of a secondary dominant (G7 as V/V) creates a strong functional pull toward the ii–V–I turnaround (Gm7–C7–Fmaj7) that anchors the F major tonality.
Improvisation Focus Modal Interchange: Shifting between F Ionian and F Mixolydian to address the bVII (Ebmaj7) color.
Difficulty Rating 2: The harmonic rhythm is predictable and the tempo is typically slow, though the non-diatonic bVIImaj7 requires fundamental knowledge of modal shifts.