Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Dm7 | 6 | 17.1% |
| G7 | 5 | 14.3% |
| Cmaj7 | 4 | 11.4% |
| A7 | 4 | 11.4% |
| C6 | 3 | 8.6% |
| Caug | 3 | 8.6% |
| C7 | 2 | 5.7% |
| Em7b5 | 2 | 5.7% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Dm7 -> G7 | Setup (Major Key) | 4 |
| A7 -> Dm7 | Resolution (Minor) | 3 |
| Em7b5 -> A7 | Setup (Minor Key) | 2 |
| Em7 -> A7 | Setup (Major Key) | 2 |
| G7 -> Dm7 | Resolution (Minor) | 1 |
| F#m7b5 -> B7 | Setup (Minor Key) | 1 |
| B7 -> Em7 | Resolution (Minor) | 1 |
| G7 -> Cmaj7 | Resolution (Major) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The progression utilizes static tonic expansion (Cmaj7-Caug-C6), creating subtle chromatic tension through the #5 (G#) moving toward the 6th.
- Secondary ii-V cells (Em7b5-A7 and F#m7b5-B7) create temporary tonicization of the ii (Dm7) and iii (Em7) chords, adding sophisticated harmonic depth.
- The transition from Cmaj7 to C7 functions as a V7/IV, facilitating a smooth shift toward the subdominant area.
- Frequent minor ii-V turnarounds juxtaposed against a Major tonic require constant adjustment of the 3rd and 7th degrees to maintain tonal clarity.
Improvisation Focus
- Navigating minor ii-V-i sequences using the Altered scale (Super Locrian) over secondary dominants to highlight tension and resolution.
Difficulty Rating
- 3/5: While the slow ballad tempo provides space, the frequent secondary dominants and non-diatonic chord changes require advanced harmonic awareness.
📚 Standard Available in:
The Real Book - Volume I
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