Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| G#m7 | 6 | 13.3% |
| C#m7 | 5 | 11.1% |
| E | 4 | 8.9% |
| Dmaj7/E | 4 | 8.9% |
| A/F | 4 | 8.9% |
| D6/E | 2 | 4.4% |
| Amaj7 | 2 | 4.4% |
| D | 2 | 4.4% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Bm7 -> E7 | Setup (Major Key) | 2 |
Harmonic Highlights:
- Prominent use of D major-derived chords (D6/E, Dmaj7/E) establishes a consistent E Mixolydian flavor, softening the E major tonic.
- Introduction of Fmaj7#11/E creates a distinct E Phrygian sound, adding a darker, non-diatonic color over the E root.
- Later sections feature highly chromatic and polytonal movements (e.g., C/G#, A/F), departing from traditional functional harmony for atmospheric effect.
Improvisation Focus:
- The core concept is navigating the interplay between E Ionian, E Mixolydian, and E Phrygian modalities.
Difficulty Rating:
- Rating: 4 (Advanced)
- Explanation: The frequent modal shifts, non-functional chords, and polytonal elements require advanced harmonic awareness to improvise effectively.