Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| G7 | 8 | 23.5% |
| D7 | 6 | 17.6% |
| C7 | 5 | 14.7% |
| Fmaj7 | 3 | 8.8% |
| A7 | 3 | 8.8% |
| F6 | 3 | 8.8% |
| Gb7 | 2 | 5.9% |
| Gm7 | 2 | 5.9% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 2 |
| C7 -> Fmaj7 | Resolution (Major) | 1 |
| D7 -> Gm7 | Resolution (Minor) | 1 |
- Extensive use of secondary dominants, notably A7 (V of Dm) and D7 (V of Gm or V/V of F).
- Frequent tonicization of F major (relative major) through ii-V-I (Gm7-C7-Fmaj7) and V-I progressions.
- Chromatic dominant progression with Gb7 resolving to G7 before a V-I into F major.
Applying Mixolydian modes and their altered variations to navigate the diverse dominant 7th functions.
4 (Intermediate-Advanced) because the frequent secondary dominants, chromatic alterations, and fluid key center shifts require sophisticated harmonic awareness.