Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| G7 | 9 | 23.1% |
| Dm7 | 8 | 20.5% |
| Cmaj7 | 6 | 15.4% |
| Em7 | 3 | 7.7% |
| Am7 | 2 | 5.1% |
| F7 | 2 | 5.1% |
| Eb07 | 2 | 5.1% |
| A7 | 1 | 2.6% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Dm7 -> G7 | Setup (Major Key) | 8 |
| G7 -> Cmaj7 | Resolution (Major) | 5 |
| G7 -> Dm7 | Resolution (Minor) | 3 |
| Cmaj7 -> F7 | Setup (Major Key) | 2 |
| A7 -> Dm7 | Resolution (Minor) | 1 |
| F#m7b5 -> B7b9 | Setup (Minor Key) | 1 |
| B7b9 -> Em7 | Resolution (Minor) | 1 |
| Am7b5 -> D7 | Setup (Minor Key) | 1 |
| Dm7b5 -> G7 | Setup (Minor Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Frequent use of I-vi-ii-V and ii-V-I turnarounds reinforces the C major tonal center, providing a classic “rhythm changes” feel.
- The chromatic passing diminished chord (Eb°7) between Em7 and Dm7 creates smooth descending voice leading within the diatonic framework.
- Inclusion of the F7 chord introduces a “backdoor” dominant or bluesy subdominant sound, adding harmonic variety to the A-section.
- Secondary dominants, specifically A7 (V/ii), target the Dm7 chord to strengthen movement toward the dominant G7.
Improvisation Focus C Major/Ionian and the C Major Bebop scale, as the progression primarily ornaments a clear diatonic center with minimal modulation.
Difficulty Rating 2/5; the song relies on standard functional harmony and predictable cadences that are ideal for practicing foundational jazz vocabulary.
📚 Standard Available in:
The Real Book - Volume V
🛒 Buy on AmazonAs an Amazon Associate I earn from qualifying purchases. Check the Hal Leonard Jazz Song Finder to make sure that the standard is indeed in the book before buying it.